Over the last few months I have written some compelling,
thought-provoking articles on a variety of subjects – whether women are too far
out or too far in to be considered outsider artists; how women use their bodies
as well as their voices to express outrage instead of sexuality; which moments in
time really matter in women’s history.
However, unless you are
gifted with ESP or some other form of mind-reading, you probably missed these
articles. That’s because they exist
only on the media platform known as my mind.
I did not treat these pieces lightly; they were more than
random thoughts that flitted across my mind and then vanished never to appear
again. I spent a lot of time with them. I thought them through; I researched material
and interviewed subjects; I attended events and jotted down notes in a
notebook. I even edited the copy, debating which words to use and what titles
to give each piece. But ultimately they remained imprinted only in my
consciousness and not on paper.
Now the mind is a very powerful thing. It can affect the way
we feel and behave, it can influence our health and our emotional state. But
one thing it cannot do is write. It cannot, on its own, change thoughts into
concrete form. One might say that words have their own ephemerality (perhaps a
made up word, but it does say what I mean). The squiggles on a piece of paper
have meaning only because we have collectively and culturally assigned a certain
sound and a certain sense to them. Nevertheless, they are more corporeal than
thoughts. They can be shared, they can be preserved.
Writing is something most of us learn to do at an early age.
It gets embedded in our physiology like riding a bike and driving a car. But
that’s the physical part. The other part of writing, the having something to
say, comes, it seems, from somewhere else.
Sometimes, when I’m really in the flow, I feel that the
words that take shape on the page are coming from somewhere beyond myself. That
I am channeling the words that come through me and appear on the page (or the
screen) as if by magic.
At other times the words struggle to appear. Nothing I do
seems to coax them out of hiding. They stay securely in the ether and refuse to
budge.
I had never understood writer’s block before this. I knew
there were times I had nothing to say and therefore I didn’t write. But never
before have I had so much I wanted to say and been unable to make it appear
before me.
What has changed? Have I suddenly become conscious of
writing as an act of communication? Have I understood that writing implies a
reader and I’ve become afraid of rejection or, perhaps worse, indifference? Am
I seeking a kind of unattainable perfection, where each word is just the
exactly right word, and each article resonates with meaning and significance.
One of my favorite books on writing is Anne Lamott’s Bird by Bird, particularly her chapter
on Perfectionism. At an academic workshop on helping students improve their
work I once suggested to a group of scientists that perfectionism was a flaw.
In their world it was critical – and I suppose if I went to a dentist or a
doctor who had barely squeaked through their training, I might agree. But for
an artist of any sort, it is in the willingness to abandon perfectionism that
creativity can bloom.
Or am I just looking for an excuse for not doing what I need
to do to, which is to sit down and suffer through the agony of searching for
the words to express my ideas however roughly and just keep going until I have
written the first draft and then get busy revising. After all, isn’t that what
I tell my students. “Just turn in something,” I say. “Then we can make it
better.” Or “Wonderful happens in the rewrite.”
When I tell others, writers in particular, that I have
writer’s block, they want to fix it. They suggest writing prompts,
inspirational readings, morning pages, deadlines. Anything that will get me
writing in the hope that once I have begun, like a car starting downhill, it
will build momentum and the writing will take off and eventually run under its
own steam.
I appreciate their concern and their suggestions. I really do.
But I’m not sure that fixing the writer’s block is what is needed. At least,
not right away,
My sense is that I need to embrace this resistance and let
it fester a bit longer. I think it is about many things that have nothing to do
with writing but a great deal to do with who I am, who I was, and who I am in
the process of becoming. In order to move forward, I think I have to sit still
right now and let the inertia come over me until I absolutely can’t stand it
any more. I need to dig deep inside myself and find out what I really want to
write. Yes, I have lots of clever ideas, and they are all interesting and
others will read them and tell me how clever I am. But they aren’t my soul
talking. And maybe that’s what this moment demands of me, what this block
demands of me. To sit still until my soul cries out to be heard. Not in
cleverness but in truth.
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