Tuesday, December 24, 2013

Waiting For Santa


What was I thinking? This afternoon—Christmas Eve day—I found myself standing in line with hundreds of others—mostly parents and grandparents with a smattering of children—on the third floor of Macy’s Center City waiting to see Santa. Well, I didn't exactly want to see Santa myself. I wanted to see the Dickens Village that was the prelude to Santa, and then I thought it might be fun to catch a glimpse of actual children sitting on Santa’s lap. Then I realized I had a rather skewed idea of fun.

Years ago, on that very same day, I had bravely marched into Macy’s in Herald Square to pick up a last minute gift only to find myself in a sea of people so thick it was impossible to even reach the escalator on the first floor. I left without the gift, and I swore to myself I would never do that again. So what possessed me to venture back into Macy’s? I don’t know, it just seemed like a good idea at the time.

Monday, November 25, 2013

Memories of Kennedys and King

It is Kennedy memorial time again, that yearly remembering of how the young vibrant 35th president, John Fitzgerald Kennedy, died in a motorcade in Dallas, and each time it comes around I am thrust back into the days of my growing up. College and Kennedy’s election, the Bay of Pigs and student protests, marches against the war, and the introduction of pot as an alternative to alcohol. We really thought we could change the world, and in many ways, we did. 

This past year, Philadelphia seemed to be obsessed with all things 1968 – and that too awakened memories. Walking through the 1968 Exhibit at the Constitution Center, looking at images and artifacts of events I had actually experienced, reminded me of just how powerful those times were. And then, more recently, watching RFK, a revival of a one-man show about Robert Kennedy, another leader we had believed in but never got to see what he could accomplish. Unlike the Kennedys, most of us live on the fringes of history, we are not essential to the events that occur around us, but those events are crucial in shaping our lives and our eventual legacies.

For me, 1968 was the year the young men died – Kennedy, King, Michael (my own personal loss), and countless unnamed others who were each someone’s son, boyfriend, lover, father, friend, dying in a faraway land for a cause most of us no longer believed in. It was a time of chaos and confusion. A time of hope and horror. The death of men far too young to die, the riots of young people in Chicago while business went on as usual in the Convention Center. I wondered how many people I knew in that unruly rabble in Lincoln Park, wondered if I should have been there too, yet relieved ultimately that I wasn’t.

Tuesday, August 27, 2013

The Drama of a Dress

Some Thoughts After Seeing Love, Loss and What I Wore

We complain when the media focuses on what a woman wears, instead of on what she says We probably know more about Hilary Clinton’s choice of pant suits than about her specific political positions. Yet we flock to see a show that is about the clothes we wear and have worn through out our lives.

That’s what Love, Loss and What I Wore, described as an intimate collection of stories by Nora Ephron and Delia Ephron , based on the book by Ilene Beckerman, which closed recently after a successful run at the Philadelphia Theater Company at the Suzanne Roberts Theatre in Philadelphia is about. The play, staged like a reading - five women seated on stools with only a few drawings on an easel to illustrate some of the fashions mentioned - manages nevertheless to evoke memories in the audience composed mostly of women, even on a Friday evening, of our own experiences with fashion over the years. 

Clothes are significant. They reveal our status, our aspirations, and our passions. They act as disguises when we want to hide because we’re in a bad mood, and they reveal our bodies when we want to entice. They also tell our histories. Women used to make quilts out of old clothes not only because they were sometimes the only fabrics available, but as a way of retelling the story of the wearer, the lived experiences of those cloths, the cold nights, the bad dates, the happy births and weddings.